18
October
Written by Anahi.
Posted in: Craps
If you consider using this system you want to have a vast amount of cash and amazing discipline to march away when you earn a small success. For the benefit of this article, an example buy in of two thousand dollars is used.
The Horn Bet numbers are not always seen as the "winning way to play" and the horn bet itself has a house advantage of over 12 %.
All you are gambling is $5 on the pass line and a single number from the horn. It does not matter if it is a "craps" or "yo" as long as you wager it routinely. The Yo is more common with people using this approach for clear reasons.
Buy in for two thousand dollars when you join the table however put only five dollars on the passline and $1 on one of the two, three, 11, or twelve. If it wins, excellent, if it does not win press to two dollars. If it loses again, press to four dollars and then to eight dollars, then to sixteen dollars and after that add a one dollar every subsequent bet. Each time you lose, bet the previous wager plus one more dollar.
Using this system, if for example after fifteen rolls, the number you selected (11) hasn’t been tosses, you without doubt should step away. However, this is what could happen.
On the 10th toss, you have a total of $126 in the game and the YO finally hits, you come away with $315 with a gain of $189. Now is a good time to walk away as it is more than what you joined the table with.
If the YO does not hit until the 20th toss, you will have a complete investment of $391 and because your current bet is at $31, you gain $465 with your take of $74.
As you can see, adopting this scheme with only a one dollar "press," your gain becomes smaller the more you play on without attaining a win. This is why you have to march away once you have won or you must wager a "full press" once more and then advance on with the $1.00 boost with each roll.
Crunch the data at home before you try this so you are very accomplished at when this system becomes a non-winning affair rather than a winning one.
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